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GLP News June 2026

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‍GLP News - June 2026

Hello Visitor,

Arena pop at its finest in Germany, a bold visual production in Spain, outrageous Broadway glitter in New York – plus a look back at a highly successful InfoComm 2026 in Las Vegas: our June newsletter once again shows the remarkable range of GLP products in productions around the world.

This month, the focus is on designs that shape spaces and tell stories: Bertil Mark gradually opens up Sarah Connor’s “Freigeistin” show into a full-scale arena production; Isaac Bargiela fuses lighting, video and scenography into a coherent visual language for Dani Fernández; and Jane Cox brings queer utopia, theatrical tradition and club aesthetics to Broadway with “The Rocky Horror Show”.

Enjoy the read!

GLP TWYN joins Sarah Connor on major arena tour

For Sarah Connor’s current “Freigeistin” tour, production designer Bertil Mark created a lighting design that deliberately holds back at first, then opens up step by step over the course of the show. The show begins in a deliberately reduced visual setting, dominated by a large semi-circular LED wall, before gradually unfolding into a spatially layered arena production with band, dancers, backing vocalists and clearly defined stage architecture.

At the heart of this design are twelve GLP TWYN fixtures in the upstage area, along with 57 GLP WildBar 16 units lining the front edge of stage, runway and B-stage. While the WildBar 16 defines the geometry of the show as a precise line of light, the TWYN brings depth, structure and energy to the setup – supporting a design that moves between intimate moments and large-scale pop imagery with both control and impact.

GLP JDC Burst 1 shapes the visual language of Dani Fernández’s “La Insurrección” tour

For Dani Fernández’s current “La Insurrección” tour, Isaac Bargiela created a visual world in which lighting, video and scenography do not function as separate layers, but merge into one cohesive stage experience. The production’s creative director, lighting designer and set designer approaches each scene from a clear dramaturgical intention – from Matrix-like parallel realities and powerful, almost cinematic war scenes to moments in which lighting movements are mirrored directly in the screen content.

GLP JDC Burst 1 fixtures play a central role in this concept, with Bargiela using them not only as powerful hybrid strobes, but as a fundamental design element of the show. They structure the space, reinforce the visual language of the screens, and bring rhythm, depth and musical precision to the programming. The result is a production whose impact comes not from output alone, but from the smooth interplay of lighting, set, video and music.

GLP X5 Dot Wash makes its Broadway debut in “The Rocky Horror Show”

For the new Broadway production of Richard O’Brien’s “The Rocky Horror Show” at New York’s Studio 54, lighting designer Jane Cox created an exuberant queer utopia of glitter, aluminium foil, club aesthetics and classic theatrical magic. The lighting reaches far beyond the stage, drawing the entire room into the visual world and moving between boldly saturated colour, precise facial illumination and carefully placed horror movie references.

The GLP impression X5 Dot Wash plays a particularly distinctive role at the front edge of the stage. Invisibly integrated as a footlight, it creates those individual points of light, shadows and theatrical contours that are crucial to key scenes such as “Time Warp”. In total, 140 GLP fixtures shape the stage, proscenium and auditorium – supporting a design that does far more than illuminate, but actively helps define the production’s absurd, joyful and highly precise visual language.

High energy in Las Vegas: GLP at InfoComm 2026

InfoComm 2026 brought plenty of energy to Las Vegas this year, and the GLP team enjoyed the opportunity to connect with long-standing customers as well as many new contacts from across North America. The show proved to be an ideal platform for exchanging ideas, presenting the latest GLP developments and engaging directly with the industry.

At booth N8629, visitors had plenty to explore: new product releases, hands-on demos, free GLP on MA3 training sessions and, of course, the legendary MAD MAXX, which drew considerable attention on the show floor. Overall, InfoComm 2026 was an inspiring and highly successful show for GLP – and a valuable opportunity to connect with customers, partners and users in person.

A big thank you to everyone who stopped by the GLP booth, joined our demos and training sessions, and helped make InfoComm 2026 such an inspiring and highly successful show for us.